If someone had told me there was going to be an art exhibit about hats and paintings of women wearing hats, I would’ve said, “Now I see why Trump wants to end arts funding.”
But it sounded good to The Wife, and so it was that Saturday morning the Family RRoy made our way to Forest Park to catch the opening weekend of “Degas, Impressionism, and the Paris Millinery Trade” at the Saint Louis Art Museum.
Mother Nature, cruel mistress that she is, decided it wasn’t enough punishment that I had to go to the art museum, she also turned Saturday into a beautiful Spring day…in February. And you know what that means — every stinking idiot in the greater St. Louis metropolitan area is going to converge on Forest Park for the day. It didn’t matter that we weren’t going to the zoo. No, all that mattered was there wasn’t going to be any parking anywhere and driving it in would be a nightmare.
So, I let The Wife drive. She was the one wanting to go after all.
Traffic wasn’t too bad until we got to Art Hill. We foolishly pulled into the nearest free lot thinking maybe there would be one spot open. Of course we got trapped as people waited for other people to leave and blocked the way around. Eventually we escaped and said, “screw it,” and went to the art museum’s parking lot. It’s only $5 for members, and $5 for parking beats the 5 years it takes off my life every time I have to sit in traffic in Forest Park.
Our usual strategy for art exhibitions is Laurie goes in first and Andrew and I bum around until she’s finished (roughly 1 hour, depending on the size of the exhibit) and then I go in while she waits with Andrew (roughly 15 minutes, depending on how crowded it is and how quickly I can get around people). We arrived at 12:20 and there was a French class Laurie wanted to attend at 1 p.m. I doubted her ability to get through the exhibit in 40 minutes, but she seemed to think she could, so she went to the exhibit hall and Andrew and I walked in circles around the outdoor statue garden for a half-hour. It was a nice day for it.
We got back to the exhibit hall close to 1 and L was just leaving the exhibit. “Did you see all you wanted to see?” I asked incredulously. “Yes,” she replied. “Did you enjoy it?” I queried. “Yes,” she replied.
Laurie went to the French class and Andrew and I had a leisurely visit in the restroom. Andrew likes to take his time in the restroom. I usually rush him out when we’re in public but since we had nowhere else to go I indulged him. Fifteen minutes later we went and found some big, comfy chairs and waited for French class to be over.
A half-hour later Laurie emerged from class. She suggested I go through the art show while she and Andrew went to the garage and got our picnic lunch and set it up out on the lawn. That seemed about right. In the time it would take them to do that I should easily walk through the Hats and Paintings of People Wearing Hats exhibit.
“D, I & the PMT” features 60 paintings and a number of elaborate hats dating back to the Impressionist era of artist Edgar Degas. Apparently Degas was fascinated by high-fashion hats and the women who made them — my guess is he was more interested in the women who made them, but I could be wrong. I don’t know anything about Degas.
There were some pretty funky-looking hats, I will say. Hats with birds on them, hats with giant flowers and etc. The paintings were predominantly portraits of women in hats by Degas and other masters of the era like Manet, Renoir and Toulouse-Lautrec. There was also a small section of men’s hats — basic black bowlers and top hats — and some paintings of men in hats.
I have to say this was not one of my favorite art shows. Nothing really stood out to me. But it was OK and I made it through in record time and got to the picnic spot before they had eaten all the food.
“Degas, Impressionism, and the Paris Millinery Trade” runs through May 7 at the Saint Louis Art Museum. http://www.slam.org/