Joelfest 2017, Part II (Part II)

The Main Event: Life Went On No Matter Who Was Wrong Or Right

To be fair, there were other reasons to attend the Billy Joel concert besides making The Wife happy (although that’s all the reason you need).

  1. My musical idols are dying right and left these days, so I might as well catch him one more time because it may be the last time.
  2. I’m probably never going to win the lottery and take Laurie and Liz to New York to see him at Madison Square Garden. Especially since I don’t play the lottery.
  3. It’s a once-in-a-lifetime opportunity to see Joel play “Miami: 2017,” a song he released in 1976, in 2017.
  4. I really needed a break from the unending depression of watching “The Vietnam War.”

The show was supposed to start promptly at 8 p.m. and due to security concerns we were told to get there early. We got there before the protesters arrived and left after they’d gone home so all went down without incident. No long line to get in so we spend 90 minutes in the stadium, checking out the souvenir stand and cursing the unseasonable heat.

Now you might think that $300 floor seats would mean primo viewing. For that much money I should be able to touch The Man and feel his sweat as he pounds on the keyboard. Nope. We were so far away that Joel looked like a speck on the stage. We would be watching the show mainly off the video screens, just like the people in the rafters.

My main objection with floor seats is that people on the floor feel some uncontrollable need to stand throughout the entire show. I don’t feel that need and resent having to stand just so I can see that speck way, way, away on the stage. Still, as I look around me at all the people even older than myself, some with canes, I’m thinking maybe this won’t be so bad.

The show starts — not promptly at 8 p.m. but close enough — with the theme music from “The Natural” (hmm, this seems familiar). Then The Man takes to the piano and begins playing some Beethoven (hmm, this seems familiar) and then he breaks into “My Life.” (Yep. It’s a Billy Joel concert, alright).

Everyone stands, and as I feared, remained standing throughout the show. Fine. I had resigned myself to this when I bought the seats. And as expected, everything I hate about concerts was concentrated in my section.

Behind me were a trio of women who WOULDN’T SHUT UP. In front of me were a couple of guys who figured it was OK to light up as long as they blew their smoke up in the air. People kept going back and forth to the bathroom or wherever, even though there was no room between rows for people to walk. For the love of God, why can’t people stay in one place for 2.5 hours? And be quiet?

And then there’s the all-new, 21st Century concert annoyance: Cellphones.  Live in the moment, people! You don’t need to videotape the moment! I can’t see the little speck on stage with you holding your damn phone over your head so you can get a blurry image that you can share on social media so you can brag to your friends how cool you are because you’re at the Billy Joel concert!

Despite the distractions, a good time was had by all, especially The Wife, which made it all worthwhile.

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Random thoughts on Billy Joel at Busch Stadium, 2017:

It was a solid 26-song set, heavy on the hits with a few well-known non-hits thrown in as well.

The audience made all the right choices during the Fielder’s Choice segment: Vienna over Just The Way You Are; Zanzibar over Big Man on Mulberry Street; Billy the Kid over Downeaster Alexa; And So It Goes over Leningrad. I especially enjoyed “And So It Goes” as that was the only time during the show when Joel was singing that the crowd in my section sat down.

Joel freshened things up a bit by adding videos to some of his tunes. They weren’t as good as the ones The Who used on their last tour, but they were much better than the ones Ann Wilson used. I don’t know what she was thinking with some of those vids.

Every time I look in a mirror and regret how badly I have aged, I look at Billy Joel and feel better. Remember when Joel had multiple keyboards and he would run around from one end of the stage to the other to play them? Now he has 1 piano which rotates for him. When they started to play “Big Shot,” Laurie asked if I thought Joel would get up on the piano and dance around like in the old days. We laughed and laughed.

Three highlights of the show were not related to Billy Joel’s repertoire. One came when Joel performed “A Day in the Life” as a tribute to the Beatles. As that was the one song I had not heard Joel perform before, it was a highlight for me. The second came when one of his roadies came out and did a rousing performance of AC/DC’s “Highway to Hell” (That bit I had seen before).

The third special moment (and this was more a Laurie moment than a Ronnie moment) was when Joel’s guitarist Michael DelGuidice sang Puccini’s “Nessun dorma.” Laurie loved it because it was opera and DelGuidice had an amazing voice. I loved it because it was the second time and last time that everyone in my section sat down.

Joel did not perform “Prelude/Angry Young Man,” a staple of his live shows. Probably a good decision, given the mood outside the stadium.

Joel did not end the night by encouraging us to not take any shit from anybody. Does this mean we are supposed to take shit fom people now?

 

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